REPERTOIRE

Stephanie's performing career spans classical, neoclassical, contemporary, and original works across the United States and Singapore. These experiences continue to inform her artistic voice and shape her work as a performer, educator, coach, choreographer, and collaborative artist.

Featured performance roles include:

• Dark Waves * — Natalie Weir

• After Happy Ever * — Alice Topp

• Quiver — Tim Rushton

• Faux Contact * — Etienne Ferrère

• Cinderella (Stepsister Mina) * — Janek Schergen

• Romeo and Juliet (Lady Capulet) — Choo San Goh

• Purcell Pieces (Fairest Isle solo) — Nils Christe

* original creation

Classical Repertoire • Swan Lake, Sleeping Beauty, Coppélia, Don Quixote, The Nutcracker

George Balanchine • Serenade

Choo San Goh • Momentum, Fives, Birds of Paradise, In the Glow of the Night, Schubert Symphony

Tim Rushton • Without You *

Natalie Weir • 4Seasons

Timothy Harbour • Protecting Veil *, Linea Adora

Kinsun Chan • Rite of Spring *

Edwaard Liang • Opus 25

* original creation

Ballet 5:8

Prior to joining Singapore Ballet, Stephanie spent three seasons with Ballet 5:8 in Chicago, performing leading and ensemble roles in original works by Julianna Rubio Slager, including The Space in Between, Four Seasons of the Soul, Scarlet, All God's Children, Shades of Refrain, 4501, and Strangers and Angels. Through the development and performance of these works, she deepened her understanding of storytelling, inhabiting character, and bringing new works to life.

Duke University

While studying at Duke University, Stephanie broadened her understanding of dance through performance, choreography, interdisciplinary study, and artistic leadership. Alongside performing Reflections by Gerald Arpino and original works by Tyler Walters and Julie Janus Walters, she developed her own artistic voice and discovered a deeper appreciation for dance as both an art form and a means of human expression — perspectives that continue to inform her work today.

Houston Ballet Academy

Stephanie received her pre-professional training at Houston Ballet Academy, where she built a strong classical foundation through rigorous daily training and performance opportunities, including works by Stanton Welch and the company’s production of Ben Stevenson’s The Nutcracker.

Together, these experiences continue to shape Stephanie's approach to performance, coaching, teaching, choreography, and creative collaboration.