STEPHANIE JOE is dedicated to inspiring others through deep artistry and thoughtful teaching, creating reflective experiences that nurture meaningful connection through the arts.

A dance artist, ballet educator, and choreographer with professional experience across the United States and Asia, Stephanie's work on stage and in the studio is rooted in a strong classical foundation and a commitment to clarity of technique, musical sensitivity, and nuanced artistry. Known for her thoughtful approach, she brings care, intention, and depth to performance, teaching, and artistic collaboration.

As a Demi-Soloist with Singapore Ballet, Stephanie performed a broad range of classical and contemporary repertoire. She was featured in original works including After Happy Ever by Alice Topp, Dark Waves by Natalie Weir, Quiver and Without You by Tim Rushton, and Faux Contact by Etienne Ferrère, as well as story ballet roles such as Stepsister Mina in Cinderella by Janek Schergen and Lady Capulet in Romeo and Juliet by Choo San Goh. Her repertoire also includes George Balanchine's Serenade, works by Choo San Goh such as Momentum, Fives, and In the Glow of the Night, and full-length classics including Swan Lake, Sleeping Beauty, Coppélia, Don Quixote, and The Nutcracker. She toured internationally with the company, including its debut at the Kennedy Center in Washington, DC.

Previously, Stephanie performed with Chicago-based Ballet 5:8, where she was promoted to Lead Artist and toured extensively across the United States. She performed soloist and principal roles in the company's original repertoire, including The Space in Between, Four Seasons of the Soul, and the full-length ballet/film hybrid Scarlet. In addition to performing, she contributed to the company's marketing and creative initiatives, developing digital content and supporting season campaigns.

Alongside her performing career, Stephanie has developed a diverse teaching and coaching practice that brings together technical training, artistic development, and creative exploration. She has worked with dancers across a range of settings, including pre-professional training, adult ballet, private coaching, master classes, and independent workshops. Her recent work has included teaching with the Nanyang Academy of Fine Arts (NAFA) School of Young Talents, Lighthouse Dance, and Singapore Ballet's Adult Dance Class program, leading independent workshops, providing private coaching, and serving as an External Assessor for undergraduate ballet examinations at NAFA (University of the Arts Singapore). Stephanie tailors her teaching and coaching to each individual's goals and stage of development, meeting each dancer where they are. Her approach emphasizes clarity of technique, dynamic musicality, and refined quality of movement, supporting dancers to develop technical strength and artistic confidence.

Stephanie continues to develop her choreographic practice through collaboration and the creation of new work. Her choreography is shaped by a deep sensitivity to musicality, presence, and human connection, creating experiences that are moving, reflective, and deeply human. Her choreography has been presented by Singapore Ballet, Ballet 5:8, and Duke Ballet Company.

A graduate of Duke University with honors (cum laude) in interdisciplinary studies in dance, visual media, and markets & management, Stephanie trained at the Houston Ballet Academy and on scholarship at Boston Ballet, Houston Ballet, and Joffrey Ballet School (NYC). She also participated in the Alonzo King LINES Ballet Summer Program and Boston Ballet's Choreographic Intensive. While at Duke University, she co-founded Duke Ballet Company, the university's first student-run ballet company, and served as artistic director, ballet mistress, and resident choreographer.

Stephanie is currently based in the San Francisco Bay Area, where she continues to cultivate her artistic practice through performance, education, choreography, and creative collaboration.